STOP MAKING CONTENT.
START BUILDING IP.

Sighthound TV is a hybrid production house building premium Intellectual Property for brands (both new and heritage), creators, and storytellers. While the studio name is new, our background runs deep in Broadcast Television.

Our website is almost ready to launch.
We can't wait to share our vision with you!
PRE-LAUNCH ENQUIRIES ENTER SITE EXPERIENCE →

Brands are the new networks.

Premium unscripted films and docuseries for founders, brands, culture icons******* and heritage names. ***SOMETHING ABOUT THE CHANGING NATURE OF THE MEDIA 
LANDSCAPE SHIFTING DRAMATICALLY - EVERY BRAND NEEDS TO BE AN
ENTERTAINMENT BRAND TO CUT THROUGH TO THEIR AUDIENCE.

We Build a Channel, Not a Campaign

A front page, a change in pace to sit in a story, and a reason to come back next season.

Your Channel · Owned by you

Season One

Four episodes · Brand funded · IP retained

Docuseries

Tenths

String

Sea Trial

Off Market

The Company

Founder Films and Documentary

The Brand

Reserve

Station

The Turn

Continue Watching

New This Season

Behind the Build

Shorts

Slate in development. Working titles.

What We Make & WHAT ITS FOR****

Whether it's YouTube, a Streaming Network, your own website, or as part of something bigger - we believe all well told stories have a home. We help you [re]define your


****A DIFFERENT WAY TO SPEND YOUR MARKETING BUDGET _ 
CREATING IP THAT CAN BE SHARED PRODUCTION AND MONETISED


Brand Funded Productions are the way forward.
Brand integration and sponsorship, building upon existing o repartnerships, or looking to form new relationships,  are designed in from the first frame, not bolted on afterwards, so every title earns twice. Once from the partner who funds it, and again at acquisition, when a buyer takes IP with an audience already attached.

Founder Films

One person, one business, told properly. Not a testimonial. The film a founder can put in front of investors, staff and press, and still be using in three years.

Brand Films

Documentary made with a brand, about something real. They fund it and get the association and a first window. It still has to be worth watching on its own, or it isn't doing the job.

Documentary Films

The stories worth chasing. A single film on a subject that won't wait, where the access is the whole opportunity. We go after these first and build the funding around them.

Docuseries and Formats

Returnable by design. Season one is built so season two costs less and lands faster, with the audience already there when it does. We own the format and the footage, so the same structure can be licensed into another territory and earn again without another shoot.

An Asset, Not an Impression

An asset, not an impression. Once a title exists it keeps returning, and these run in parallel rather than instead of each other.

01

Acquisition

A network or streamer buys IP that already has an audience attached. You set the price, because it already exists.

02

Format Licensing

A format travels. The same structure licensed into another territory earns again without another shoot.

03

Sponsorship

The channel carries partners season after season. Renewable revenue against something you own, not a one-off buy.

04

Direct

Members tier, pay per view, subscriber content on a platform you already own. If your audience pays you for something, they will pay for this.

Every title is built to earn twice. Once from the partner who funds it, and again at acquisition, when a buyer takes IP with an audience already attached.

The Stack

Owned IP

01
Brand Funded

A partner or partners funds it. They get the association and a first window.

02
Sponsorship

Several partners, smaller cost each. Presence, not editorial.

03
Screen Agency

Public funding for documentary.

04
Private

Investor or philanthropic capital against the IP and its windows.

Most projects stack more than one. Bring the idea and we will find the route.

Start With What You Already Have

Heritage brands, institutions and creators with a following are all sitting on the same thing: decades of material nobody has catalogued, and an audience already paying attention. Before anyone books a crew, we find out what you have.

The Archive Audit

Hands on, run personally by Jess. What exists, what is broadcast usable, who owns it, what is clearable, and what is sitting on magnetic tape quietly dying.

The Narrative Gaps

Where the story breaks, what is missing between the pieces you have, and what it would cost to shoot the links. Usually far less than starting from nothing.

The Story Slate

The titles worth making, ranked by the ones where funding already exists, each with a route attached and a named category of partner beside it.

Then You Decide

You finish the audit owning a catalogue, a slate and a funding map, whether or not you make anything with us. Each step after it is a decision point and nothing commits you to the next one.

Most organisations are richer than they think and cannot prove it.

Brands are the new networks°

● WEBSITE LAUNCHING SOON

STOP MAKING CONTENT.
START CREATING IP.

Sighthound TV is a hybrid production house building premium Intellectual Property for brand (both new and heritage), creators, and storytellers. While the studio name is new, our background runs deep in Broadcast Television.

Our website is almost ready to launch.
We can't wait to share our vision with you!
PRE-LAUNCH ENQUIRIES